If it is from a film, does it still count? Well, anyway, this is a still from Wong Kar-wai's In the Mood for Love. One of my all-time favorite movies for it's beautiful cinematography, nothing is not well thought out–the clothing, the scenery. Wai is able to reveal more about his characters simply by the color of the wall they lean against more than they themselves can. (Not to mention the music, which is equally revealing.)
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